Issu du mouvement impressionniste plus tardif, Paul Cézanne continue d’explorer le domaine artistique et cherche à dépasser la simple retranscription des sensations. Il simplifie et géométrise les éléments. Une modernité dont on voit l’évolution sur ce qui doit être sa série la plus connue : La Montagne Saint-Victoire. Peinte prêt de 80 fois, ce motif représente également l’homme derrière le peintre, qui aura vécu quasiment toute sa vie à Aix-en-Provence. Il dira de son travail “J’en reviens toujours à ceci : le peintre doit se consacrer entièrement à l’étude de la nature, et tâcher de produire des tableaux qui soient un enseignement.” Ainsi, sa montagne évolue vers un motif de moins en moins réaliste, cherchant à retranscrire le plus fidèlement possible les émotions que le paysage suscite. Parmi les autres figures solitaires et atypique du postimpressionnisme, on mentionnera Paul Gauguin.
La Montagne Saint-Victoire de Paul Cézanne, entre 1887 et 1906.
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